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Copyright Seeing it First Hand 2026 | Theme by ThemeinProgress
Written by jackbrewis
two days of nothing in this little bedroom cell, tins of super-strength lager stacked like golden buddhas on the nightstand, lucky strikes burning one after another till the air’s a thick blue smoke, and me pounding the keys or staring at the ceiling where the cracks look like roads I’ll never take. headache again, that […]
there she is behind the marked oak bar, that Irish angel with the black hair falling like midnight rain, serving up the warmest smile you ever saw, pulling a perfect pint, slow and creamy, her eyes shining like Dionysus himself in drag, pouring out the madness. red wine flowing free now, warm in the throat,
haze, red lips parted just enough to promise trouble, and me with my battered brass Zippo from ’86, hinge still catching like it remembered every heartbreak, grinding the wheel slow till the sooty flame whooshed up wild, orange-blue dancing the old cliche dance, kerosene stinging sweet right in the veins. she sucked hard on that
those were the days when nothing hurt yet, pedalling like a dumb kid through the maize fields of Southern Africa, dust choking the air, wire fences ripping at your legs if you got too close, the sun baking everything into one long stupid dream. then bam, over the handlebars, eating dirt, picking bloody gravel out
Christmas again, Jesus, another one. London’s East End. her heels stab the wet pavement like they’re trying to kill it, clack-clack, clack-clack, some secretary’s last fuck-you to the day. everybody running for the Underground or the pub, same difference — heat, noise, cheap beer that tastes like rust and lament. peanuts in cloudy glasses, napkins
the horn blows wild. tidal wave, six to one, 3:35 sharp, the bell clanging, and there she goes, the grey ghost streaking over Sandown’s green lung. punters lean into the dream, eyes wild, hearts pounding against the rail, while Mary — sweet Mary of the quick laugh — slides the coldest pint across the oak,
it blows in, that sour stink from the bins, drifting past Tournament House and down the alleyway like some old ghost of the city, rolling right onto platform 7 at Paddington, where the trains howl and the people rush in the endless movement of coming and going. he’s leaning against a cold wall, biding his
2:45 in the goddamn morning, sitting with an empty coffee mug and the crumbs of a biscuit packet scattered like dead soldiers across Shayne and Martin’s kitchen table. three of the bastards, maybe four — I lost count somewhere between the second refill and the third — and now my mouth tastes like the bottom
the pictures went in like a splinter you can’t dig out. one showed a Jewish boy, maybe ten, lost inside those striped rags, the yellow star sewn on like a tag on something being shipped. another was nothing but bones twisted wrong and black smoke crawling out of chimneys into a sky that didn’t give
Gare de Lyon, that stupendous station, spits you out into Le Train Bleu, all that gold-plated nonsense from the old days hanging there like a drunk’s memories, chandeliers dripping light on the suckers below, paintings of green fields nobody ever worked because they were too busy screwing the maid. I’ve got a table in the
Maharaj and Co. General Suppliers, Established 1888. the floor, beat-to-shit planks of Canadian pine, scarred and grey as a coin worn smooth by too many hands, been there since the clippers came in heavy with tea from the east. sailors with arms like dock ropes drag crates, sweat cutting channels through the grime on their
the bar hasn’t changed, neon bleeding red down the walls, smoke hanging in the air like it’s got nowhere better to be, and I’m on the stool next to the one nobody’s sitting on, where Uncle Patrick used to park himself with a Campari glowing in his fist like something he’d cut out of himself.
she blew in after the lunch bells had faded, Sunday, round two in the afternoon, beautiful in that white-brown whirl, dancing and floating between the aisles like some mad angel in the vortex air of the slow train rumbling toward London. suspended there, afloat in the rattle and sway of the rails, she drifted into
did you just die there in the night? I can’t hear those wild wings anymore, that frantic beating gone silent like a jazz riff cut short in some dim basement club. you were drunk on pure panic, bashing your tiny skull against the cheap IKEA lamp I got last week, that blinding circle of false
this fucking heat won’t quit, sweat pooling in every crease of this rotten carcass, another nightmare, third one this week, crawling out of the sheets like a rat with its throat cut. I can’t even remember what the dream was, just that high-pitched whine in my skull when I snapped awake, nothing else breaking the
there I was, rattling along through the grey English drizzle, the underground train clicking under my feet, when I spotted her across the aisle — dark hair falling wild, eyes like midnight streets — and I leaned over, heart going that crazy beat, and asked if I could take her photo, just a quick one
I sit here half-dead on this rattling train to Wales, and my mind starts cranking out its cheap carnival movie, clear as the sour smell drifting from the toilet in the empty carriage ahead. there I was. cotton candy in the air, popcorn grease, the merry-go-round wheezing like an old whore on her last trick.
I stand here pissing in this narrow shithole of a toilet, staring up through the little slit of a window at a sky the colour of a dead man’s face. little worms of light wriggle across my vision, the cheap vodka still working its way through me. the place smells like something that crawled in
lovers paint hearts into the frost on windscreens, their breath fogging the glass like cheap sex in a doorway. rain comes down soft and useless on rows of scooters hunched in the alley, seats glazed with ice, waiting for some fool to chip it off with a credit card that’s already maxed out. frozen cars,
the sky over Jesus Green is one big hangover, black and bloated, hanging there like a drunk who won’t leave the bar. it’s waiting, holding, ready to let it all go in one long miserable rush. then it starts. I look up through the shitty streetlight with a sign dangling off it — faulty, please
in the pub, at my little table, yesterday’s paper screaming about Blair’s little love note to Bush — Tony, I’ll hold your coat while you blow up the world — a warm gin and tonic sweating like a guilty priest, and a tin of cashews gone soft because who gives a fuck. The country pretends
the body, broken like a sack of bones and meat, floating quietly on the flat, endless sea beneath a low grey sky; no ripple, no hurry, just the slow swell lifting and lowering him, gentle as a sigh. no fight left, no scream, no prayer. he drifted like a cork, arms out, face half to
she stood there in those beat-up boots, laces knotted tight, shawl hanging off her shoulders the way a drunk hangs off a barstool — loose, tired, done. out ahead the lake lay frozen solid, a big grey nothing staring back, the closest thing to forgiveness she’d ever been offered. little flecks of ice drifted in
she starts the day with a big pot of turmeric and aniseed tea, some half-arsed apology to the liver after the whiskey kicked the shit out of it all night. it steams up the cracked window while the rain does its usual piss-down outside. she keeps thinking about the mirror she saw advertised in the
those gleaming silver travellers of the tar, holy rollers deserting me like faithless friends hitching rides to wilder horizons. they vanish into the night or the blistering noon, tumbling free while I loop the same grimy industrial estate, the same sharp corners, round and round. it’s their one breakout, and I almost envy it –
Hyde Park on a Sunday when the sun’s got its boot on your neck. kids on plastic scooters scraping the hot concrete like they’re trying to file the day down to nothing. bicycles with training wheels squeaking through the legs of mums and dads who just want a bench before the ice cream turns to
For Kari… I sat on the broken porch steps with a warm beer going flat between my knees, watching that mangy cat take the sparrow out of the air like it was nothing. the bird came down still flapping, one wing bent wrong, blood already at its beak. the cat pinned it gentle, almost tender,
it was Sunday, the early evening sliding down slow and gold over the rooftops, the whole suburb holding its breath like it already knew, and there I was in my small garden, listening to them, that couple going at each other, screams with no floor to them, rage coming up out of the throat the
the morning’s got its claws in me, a hangover squatting on my brain like a fat whore who won’t leave. there’s still a little whiskey going in the blood, warm and evil, sloshing around the empty tank of me, burning sweet. we talk the usual shit about love, life, and the happiness that fucked off
clothes pegs hung in a long sad line on the wire, that thin silver line stretched across the backyard of the world like a railroad track to nowhere, and there they are, those little wooden people, those clipped-up saints, dancing to the secret jazz of the morning breeze, rocking back and forth, this way, that
they threw money at you once, from the iced-up bow of the Mary Jane, some drunk tourist boat full of assholes with cameras, snapping away at your big, beautiful bulk sliding through the water like a blue dream on a good day when the bottle’s half-full. cameras clicking, oohs and fucking aahs, love pouring out
blow by blow, the drummer’s foot stomps that pedal like she’s kicking the world in the ribs, cymbals crashing silver in the dim, hi-hat chick-chick-chick in a wild solo to nowhere and everywhere. there she plays under the hot spotlight, the girl with the brushes and the furious heart, beating it out while the room
I’m sunk deep in this old armchair, the one with the springs poking through like bad memories, and the room’s half-lit, half-dead, snow still spitting at the window. the clock’s oak pendulum swings back and forth, steady as a slow heartbeat, counting me out. I’m just letting go, sliding down easy into the booze and
crank the burner till the flame goes that sick blue, and throw in those greasy little capers, let them jump around like drunk bastards on a hot tin roof, anchovies too, those smug salty pricks strutting like they own the pot. slice the onions thin, onions crying their cheap tears, garlic stinking up the room
I let myself in Monday evening, spare key on the green plastic tag, three months of unpaid rent and a smell in the hall that already told me the rest. and there you are. dangling in the middle of your one-room shithole, toes pointed south, shame finally heavier than the rest of you. good rope,
and the buzzer short-circuits like a mad trumpet in the wires, brrrrap-brrrrap-brrrrap, blast after blast ripping down the quiet hallway, salvo after salvo bursting into the black night outside, echoing off the peeling walls. and she’s there, right on time, bang on the dot, and his gut twists with that old primal howl for love
it was a big bastard of a project the first time I saw the house, the kind of dumb hope you buy when you still believe in forever. the front fence — cast iron, 1940s, rising off its brick columns like it owned the street. proud. solid. untouched by the rot that had taken everything
he dressed wild as a dream, those striped trousers flashing like railroad tracks under the sun, top hat bowler perched crazy on his head, long coat flapping in the wind off the river, gaudy shirt blooming colours like some mad flower in the grey city streets, eyeglasses swinging on a silver chain, clinking soft against
