Wednesday, July 8 2026

Chinatown

f/2.8, ISO-100, -0.7 step, 50mm, 1/80 sec.

The Night Veld

outside, on a spread of lawn behind the fishpond, the heat of the day finally lifting. dinner with grandfather. tender pepper chicken, a splash of water, the old man talking — a table of remembered wisdom, the same stories I’ve heard all my life and only now begin to understand. pockets of cropped moonlight break

Stripes

f/3.5, ISO-100, 0 step, 40mm, 1/400 sec.

Easter Lilies

I drop a sugar cube into the glass, and it fizzes up through the cheap vodka and warm champagne. and you grin that crooked grin, and we mumble on about paintings and books and little flower shops that smell like life. the spaghetti sauce is bubbling on the stove, that tired chink-chink against the pot

Waiting for Mary

Truck stop glowing under fluorescence, bloodshot eyes everywhere—long-haul drivers slumped like ghosts, builders with cement dust in their hair, and travelling salesmen chasing the next few quid or two. Cheap knives scraping plates, sad memories soaked into the formica like old coffee. I’m waiting for Mary in her red and white pinstripe pinafore. Above the

Tickets

f/7.1, ISO-100, 0 step, 40mm, 1/400 sec.

The Jockey

the horn blows wild. tidal wave, six to one, 3:35 sharp, the bell clanging, and there she goes, the grey ghost streaking over Sandown’s green lung. punters lean into the dream, eyes wild, hearts pounding against the rail, while Mary — sweet Mary of the quick laugh — slides the coldest pint across the oak,

Tania

f/4.5, ISO-100, -0.7 step, 50mm, 1/160 sec.

Samurai

f/7.1, ISO-100, -0.7 step, 50mm, 1/400 sec.

Pavement

f/5, ISO-100, -0.7 step, 50mm, 1/250 sec.

Reflection

f/2.8, ISO-100, 0 step, 40mm, 1/500 sec.

The Clocks

under the white fluorescence of the beer garden, the oak tables gleamed against the pine, their surfaces marked with faint rings where ashtrays once stood. the coasters still carried their faded pictures of maidens; the empty glasses held thin circles of dry froth along their rims. I had a pint in front of me, my

Columns

f/7.1, ISO-100, 0 step, 40mm, 1/400 sec.

Coffee

f/3.5, ISO-100, 0 step, 40mm, 1/1000 sec.

The Yellow Digger

the railway tracks hum all night like a drunk’s heartbeat, and come seven in the morning, the yellow bastard starts gnawing the street — teeth filthy, breath of diesel and broken stone — ripping up clean concrete that never hurt nobody, hunting for pipes for a wage so that some engineer can feed his kids,

The Lady

f/3.5, ISO-100, 0 step, 40mm, 1/640 sec.

Another Journey

two days of nothing in this little bedroom cell, tins of super-strength lager stacked like golden buddhas on the nightstand, lucky strikes burning one after another till the air’s a thick blue smoke. and me, pounding the keys or staring at the ceiling where the cracks look like roads I’ll never take. headache again, that

Early Morning

f/2.5, ISO-125, -2 step, 6mm, 1/15 sec.

John

f/4.5, ISO-80, 0 step, 6mm, 1/25 sec.

Queen’s Head Yard

f/2.2, ISO-125, -0.7 step, 50mm, 1/80 sec.

Table for Two

the talk drags on all night, two old bastards mumbling into the black hours about pensions and politicians and how the world’s circling the drain. they never once touch the real rot — the wars that chewed up their youth, the women who walked out and never looked back. it’s a Christmas lunch, some half-arsed

Broken Homes

it’s tough trying to miss them on that black path before dawn, stumbling half-drunk on sleep with your eyes still glued shut from last night’s whiskey. you try, Christ you try, squinting into the nothing, but it always ends the same: a wet pop under the shoe and the morning gets its first taste of

Andrew Fenner

f/3.5, ISO-80, -2 step, 6 mm, 1/30 sec.

Showman

f/4.5, ISO-100, -0.7 step, 50mm, 1/160 sec.

Frank’s on Milton Road

I shove the door open at this café on Milton Road, the handle all chewed up with rust bites and pits. the place reeks of burnt bacon and old grease, and it hits you in the gut, hard. “Coffee, black, eight sugars please.” I stare out the smeared window. across the street there’s a hardware

Bank Station

f/2.2, ISO-160, -1.7 step, 6mm, 1/50 sec.

Defiance

f/10, ISO-400, -0.3 step, 50mm, 1/800 sec.

The Tiger

the train stops — some mechanical fault — and through the glass of the passenger car, I see her: a great Bengal beast, powerful and menacing, moving slow beyond the window. and I close my eyes. and it could have been the swelter of a harsh Indian summer, Calcutta due north on the Express out

Oxford Street

f/5, ISO-100, 0 step, 40mm, 1/200 sec.

Golders Green

f/3.5, ISO-125, -2 step, 6mm, 1/15 sec.

Manchester

f/10, ISO-1600, -1.3 step, 55mm, 1/80 sec

Père Lachaise

f/5, ISO-100, 40 mm, 1/80 sec.

Jazz

f/2, ISO-800, 0 step, 6mm, 1/25 sec.

Marney Road, Clapham

the grey voice crackled over the PA like some old drunk clearing his throat in the dark, spitting out the names of places nobody really believed in anymore. platform three, homeward bound, cold enough to crack. five more inches had fallen in the night and had gone to slush, working its way into the holes

Broken Chair

f/4.5, ISO-200, -0.3 step, 50mm, 1/200 sec.

The Drought

the barns bulge with a perverse rot, heaps of fruit gone black and swollen, produce twisted in mildew and blight under the long dead eye of the sun. and out on the land the cattle fall, one by one, legs buckling into the dust like broken prayers nobody’s listening to anymore. frustration sworn into every

Che Guevara

the humidity comes down heavy over the whole sweating city, and we’re all gasping on the eastbound underground, choking on air thick as soup, the train rattling through the black tunnels like some endless iron beast hungry for more souls. toddlers wail and groan in their sticky seats while their mothers bend low, murmuring soft

Albion

f/3.2, ISO-200, 0 step, 40mm, 1/640 sec.

The Coat

f/2.8, ISO-200, 0 step, mm, 1/1250 sec.

Pete

f/3.5, ISO-80, 0 step, 6 mm, 1/50 sec.

Pop Life

f/4.5 ISO-200 -0.3 step 50mm 1/200 sec.

Archer Street

f/2.8, ISO-80, -2 step, 6mm, 1/6 sec.

Zooyo

f/4.5, ISO-100, -0.7 step, 50mm, 1/160 sec.

Fava Beans

tonight the soup again, with the same crusty bread as Saturday — only tonight I threw in some fava beans from the corner shop. I’d gone down there for the paper and a few other things, and there was that dirty old window-box overflowing from above, poor Mrs Rodriguez up top with her hand trembling

Christmas Day

his nine-year-old loved her nursery, and she loved climbing trees, and reading her books about history, flowers, and trains. and she loved her father, and he thought of her as he buffed his black Oxford brogues from Loakes in London. and he thought of her again when he ironed his shirt — how she smiled

Charlotte

there I was, rattling along through the grey English drizzle, the underground train clicking under my feet, when I spotted her across the aisle — dark hair falling wild, eyes like midnight streets — and I leaned over, heart going that crazy beat, and asked if I could take her photo, just a quick one

Manet

f/2, ISO-200, 0 step, 6mm, 1/8 sec.

Cambridge Old Boys

rugby season in Cambridge, last night’s training all vigorous and unforgiving under those floodlights, oranges sliced and quartered for halftime, the sharp acid juice stinging like fire on cracked lips. then into the scrum for that final mad push, shoulders crashing into shoulders, stubble scraping stubble, and the full-time whistle blowing clean across the field.